⌚ Oedipus The Black Cat Analysis

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Oedipus The Black Cat Analysis



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THE BLACK CAT by Edgar Allan Poe Summary \u0026 Analysis

Curricular Resources Curriculum units, the product of the Fellows' seminar experience, are designed to teach their own students about the seminar subject. View topical index of curriculum units Thousands of curriculum units written since are a treasure trove of ideas and procedures for teaching subjects in the humanities and in STEM fields in grades K Browse Index. View list of volumes by year The curriculum units Fellows write are their own. View Volumes. Reference Lists Three annotated lists, compiled by New Haven teachers in and , correlate Institute-developed curriculum units with subjects and curriculum standards for various grade in New Haven's public schools. Janko, Richard, trans. By Aristotle. Cambridge: Hackett. Pavis, Patrice. Dictionary of the Theatre: Terms, Concepts, and Analysis.

Christine Shantz. Toronto and Buffalo: U of Toronto P. Stock characters. Byronic hero Man alone Tragic hero. Cyberhero Supersoldier. Gentleman detective Jack Trickster. Harlequin Zanni. Bad boy Gentleman thief Pirate Air pirate Space pirate. False hero. Double agent Evil twin. Dark lord Mad scientist Supervillain. Dragon Lady Femme fatale Tsundere. Jungle girl Magical girl. Princesse lointaine Southern belle Valley girl Yamato nadeshiko.

Class S Laotong. Columbina Mammy stereotype. Gamer girl. Final girl Princess and dragon. Wise old man Elderly martial arts master Magical Negro. Latin, or its Romance descendants Italian and French; Old English ; they might be either very formal or very colloquial words. Elision : The omission of one or more letters or syllables from a word. This is usually marked by an apostrophe: as in 'he's going to the shops'. In early printed texts the elided syllable is sometimes printed as well as the mark of elision, as in Donne's 'She 'is all States, all Princes I'. Enjambement : The effect achieved when the syntax of a line of verse transgresses the limits set by the metre at the end of the verse.

Metre aims for the integrity of the single verse, whereas syntax will sometimes efface that integrity. End-stopping : The effect achieved when the syntax of a line coincides with the metrical boundary at the end of a line. The contrary of enjambement. Fabliau plural fabliaux : A short, pithy story, usually of a bawdy kind. Foot : the basic unit for describing metre, usually consisting of a certain number and combination of stressed and unstressed syllables.

Feminine Rhyme : a rhyme of two syllables in which the final syllable is unstressed 'mother brother'. If an iambic pentameter ends in a feminine rhyme the last, unstressed, syllable is usually not counted as one of the ten syllables in the line 'To be or not to be, that is the question' - the 'ion' is unstressed and takes the line into an eleventh syllable. Feminine rhyme can be used for comic effect, as it is frequently in the works of Byron: 'I've spent my life, both interest and principle, And think not what I thought, my soul invincible. Form : The term is usually used in the analysis of poetry to refer to the structure of stanzas such as ottava rima.

It can also be used less technically of the general structural principles by which a work is organised, and is distinguished from its content. Free Verse : verse in which the metre and line length vary, and in which there is no discernible pattern in the use of rhyme. Genre from Latin genus , type, kind : works of literature tend to conform to certain types, or kinds. Thus we will describe a work as belonging to, for example, one of the following genres: epic, pastoral, satire, elegy. All the resources of linguistic patterning, both stylistic and structural, contribute to a sense of a work's genre. Generic boundaries are often fluid; literary meaning will often be produced by transgressing the normal expectations of genre.

Homophones : Words which sound exactly the same but which have different meanings 'maid' and 'made'. Hypermetrical : having an extra syllable over and above the expected normal length of a line of verse. See also feminine rhyme. These are called trochees. Irony : strictly a sub-set of allegory : irony not only says one thing and means another, but says one thing and means its opposite.

The word is used often of consciously inappropriate or understated utterances so two walkers in the pouring rain greet each other with 'lovely day! Irony depends upon the audience's being able to recognise that a comment is deliberately at odds with its occasion, and may often discriminate between two kinds of audience: one which recognises the irony, and the other which fails to do so.

Dramatic irony occurs when an audience of a play know some crucial piece of information that the characters onstage do not know such as the fact that Oedipus has unwittingly killed his father. Lexical set : words that are habitually used within a given environment constitute a lexical set. Thus 'Monday, Tuesday, Wednesday Metaphor : the transfer of a quality or attribute from one thing or idea to another in such a way as to imply some resemblance between the two things or ideas: 'his eyes blazed ' implies that his eyes become like a fire.

Many metaphors have been absorbed into the structure of ordinary language to such an extent that they are all but invisible, and it is sometimes hard to be sure what is or is not dead metaphor: 'the fat book' may imply a metaphor, as may also be the case when we talk of a note of music as 'high' or 'low'. Mixed metaphors often occur when a speaker combines two metaphors from very diverse areas in such a way as to create something which is physically impossible or absurd 'the report of the select committee was a bombshell which got right up my nose'.

These often result from the tendency of metaphors to become received idioms in which the original force of the implied comparison is lost. See also Simile. Metonymy : A figure of speech in which the name of one object is replaced by another which is closely associated with it. So 'the turf' is a metonym for horse-racing, 'Westminster' is a metonym for the Houses of Parliament, 'Downing Street' is a metonym for the Prime-Minister or his office. See synecdoche. Metre : A regular patterned recurrence of light and heavy stresses in a line of verse. These patterns are given names. Almost all poems deliberately depart from the template established by a metrical pattern for specific effect.

Assessing a poem's metre requires more than just spotting an iambic pentameter or other metrical pattern: it requires you to think about the ways in which a poem departs from its underlying pattern and why. Emotion might force a reverse foot or trochee , or the normal patterns of speech might occasionally cut across an underlying rhythm. See Iambic Pentameter. Monorhyme : A rhymescheme in which all lines rhyme aaaa etc. Onomatopoeia : The use of words or sounds which appear to resemble the sounds which they describe.

Some words are themselves onomatopoeic, such as 'snap, crackle, pop. Ottava rima : an eight line verse stanza rhyming abababcc. In English it is usually in iambic pentameter. It was introduced into English by Sir Thomas Wyatt in the s, and was widely used for long verse narratives. Edmund Spenser produced a nine line modification of the form which ends with an alexandrine and rhymes ababbcbcc. This is known as the Spenserian stanza, and was quite widely used by Wordsworth, Byron and Keats. Personification : the attribution to a non-animate thing of human attributes. The thing personified is often an abstract concept e. Personification is related to allegory, insofar as personification says one thing 'Lust possessed him' and really means another.

But it is opposed to allegory insofar as it aims for the maximum degree of explicitness, whereas allegory necessarily involves greater degrees of obliquity. Plosive : A consonantal sound in the formation of which the passage of air is completely blocked, such as 'p', 'b', 't'. The blockage can be made in a variety of places between the lips, between the tongue and teeth, between the tongue and palate. A 'bi-labial plosive' is made with the lips Latin labia : examples are 'p' and 'b'; a 'dental plosive' is made by blocking the passage of air with the tongue and the teeth 'd', 't' ; an 'uvular' plosive is made right at the back of the throat 'q', 'g'.

Phoneticists people who study the science of pronunciation distinguish between 'voiced' and 'unvoiced' plosives. This is the distinction between 'b' in saying which you have to make a sound as well as simply letting the air escape between your lips; hence it is 'voiced' and 'p' in saying which you do not have to make a sound; hence it is termed 'unvoiced'. Similarly 't' is an unvoiced dental plosive; 'd' is a voiced dental plosive. The International Phonetic Association provides more information about how words are pronounced and the specialised alphabet with which such sounds are transcribed.

Polysyndeton : The use of multiple conjunctions, usually where they are not strictly necessary 'chips and beans and fish and egg and peas and vinegar and tomato sauce'. Compare asyndeton. Quantitative Metre : A metrical system based on the length or 'weight' of syllables, rather than on stress. This is the norm in classical Latin and Greek, but is rare in English. Sir Philip Sidney made some attempts to write in quantitative metre in order to bring English poetry closer to its classical models, but he had few imitators. Quatrain : a verse stanza of four lines, often rhyming abab. Tennyson's In Memoriam rhymes abba, however. Refrain : A repeated line, phrase or group of lines, which recurs at regular intervals through a poem or song, usually at the end of a stanza.

The less technical term is 'chorus'. Register : a term designating the appropriateness of a given style to a given situation. Speakers and writers in specific situations deploy, for example, a technical vocabulary e. Literary effect is often created by switching register. Figures of thought appeal to the mind by twisting language in a way that is strictly improper, but licensed by usage. Thus the word 'is' is used improperly in the sentence 'John is a lion', but the metaphorical usage is permissible.

Or when we hear the sentence 'All hands on deck', we understand that the word 'hands' is being used as a synecdoche for sailors. Figures of thought are sometime called tropes from a Greek word meaning 'turn', 'twist' or conceits from a Latin word meaning 'concept', because the conceit appeals to the mind. Figures of speech are perceptible to the eye and the ear. Thus rhyme is a figure of speech, as is alliteration and anaphora. Figures of speech are sometimes called schemes Greek 'forms'. Rhyme : When two or more words or phrases contain an identical or similar vowel-sound, and the consonant-sounds that follow are identical or similar red and dead.

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