⌛ Holdens Struggle Of Depression In Catcher In The Rye

Thursday, September 16, 2021 3:40:19 PM

Holdens Struggle Of Depression In Catcher In The Rye



Does Isabel Jewel deserve to be remembered, r? What was how is ambition shown in macbeth in? Holdens Struggle Of Depression In Catcher In The Rye featuring this book. Powell and Montgomery were at the top for Holdens Struggle Of Depression In Catcher In The Rye very short period. She had to have a car pick her up.

Loneliness and Depression in The Catcher in the Rye Elwi Video Presentation 1

Not only did I hate Holden, but I hated everything about the novel. There was nothing I enjoyed. I did my book report where I confessed my hatred which led my teacher to confess that she did, too , but I couldn't let it go. I honestly felt that my loathing of a novel that so many others found "life-changing" indicated some deep and horrible flaw. I felt like hating Catcher in the Rye was my dirty little secret. Time passed, and my self-loathing mellowed. I began to think that perhaps I'd come at it too young, so after my first year of college, I decided to re-read it, go at it with fresh eyes, and see if my opinion had changed. Here's the thing: it hasn't.

I get it. I get that Holden is supposed to be loathsome. I get that he is the hypocrite he hates. I get that almost all teenagers go through the kind of thinking he experiences. I just don't like it. Oh, and I'm not ashamed anymore. Aug 04, Cheyenne rated it did not like it. Edit: stop liking and commenting on this review. It's And the book is still shit. If I could give this book a zero, I would. I absolutely hated it. Generally, I don't hate books, either. Usually it's a very strong dislike, and generally, I give them a second chance. But no, I will never be reading this book again. In my opinion, Holden is the worst character in the English language.

Salinger tried just too damn hard to make him 'universal', to the point where he becomes unrealistic. His trai Edit: stop liking and commenting on this review. His train of thought is annoying and repetitive, and God, those catchphrases of his. Can someone shut this kid up? Holden is almost the anti-Gary Stu. Nearly every thing's wrong with him. The one good thing about him being his love for his younger sister. The plot is one of the worst I've ever read. It's boring, and it, like Holden, is unbelievably and painfully repetitive. Holden calls up an old friend, has a drink. Holden calls up a girl, has a drink. Holden dances with a girl. Then he drinks. Was there a climax to this book? I must have missed it. Maybe it was Holden nearly freezing to death um, what?

No, no, maybe it was when Holden called up that hooker! Maybe not. The plot is so fuzzy and flat I couldn't tell when to peak my interest. And that's just it, it never did. So buh-bye, Holden! Your book's been gathering dust on my shelf for the past two years and it'll stay that way. Until I decide to sell it, of course. My theory as to this book's unusually polarizing nature: either you identify with Holden Caulfield or you don't. Those who see themselves either as they were or, God help them, as they are in Holden see a misunderstood warrior-poet, fighting the good fight against a hypocritical and unfeeling world; they see in Salinger a genius because he gets it, and he gets them.

Those of us who don't relate to Holden see in him a self-absorbed whiner, and in Salinger, a one-trick-pony who lucked into perform My theory as to this book's unusually polarizing nature: either you identify with Holden Caulfield or you don't. Those of us who don't relate to Holden see in him a self-absorbed whiner, and in Salinger, a one-trick-pony who lucked into performing his trick at a time when some large fraction of America happened to be in the right collective frame of mind to perceive this boring twaddle as subversive and meaningful.

View all 89 comments. Sep 24, Madeline rated it did not like it Shelves: the-list , kids-and-young-adult , ugh. I will give it to anyone who can explain the plot of this book or why there is no plot and make me understand why the hell people think it's so amazing. View all 74 comments. Oct 23, Kat rated it it was ok. View all 64 comments. May 26, J. Sometimes truth isn't just stranger than fiction, it's also more interesting and better plotted.

Salinger helped to pioneer a genre where fiction was deliberately less remarkable than reality. His protagonist says little, does little, and thinks little, and yet Salinger doesn't string Holden up as a satire of deluded self-obsessives, he is rather the epic archetype of the boring, yet self-important depressive. I've taken the subway and had prolonged conversations on the street with prostitutes n Sometimes truth isn't just stranger than fiction, it's also more interesting and better plotted.

I've taken the subway and had prolonged conversations on the street with prostitutes not concerning business matters , and I can attest that Salinger's depiction is often accurate to what it feels like to go through an average, unremarkable day. However, reading about an average day is no more interesting than living one. Beyond that, Salinger doesn't have the imagination to paint people as strangely as they really are. Chekhov's 'normal' little people seem more real and alive than Salinger's because Chekhov injects a little oddness, a little madness into each one. Real people are almost never quite as boring as modernist depictions, because everyone has at least some ability to surprise you.

Salinger's world is desaturated. Emotions and moments seep into one another, indistinct as the memories of a drunken party. Little importance is granted to events or thoughts, but simply pass by, each duly tallied by an author in the role of court reporter. What is interesting about this book is not that it is realistically bland, but that it is artificially bland. Yet, as ridiculous a concept as that is, it still takes itself entirely in earnest, never acknowledging the humor of its own blase hyperbole.

This allows the book to draw legions of fans from all of the ridiculously dull people who take themselves as seriously as Holden takes himself. They read it not as a parody of bland egotism but a celebration, poised to inspire all the bland egotists who have resulted from the New Egalitarianism in Art, Poetry, Music, and Academia. Those same folks who treat rationality and intellectual fervor like a fashion to be followed, imagining that the only thing required to be brilliant is to mimic the appearance and mannerisms of the brilliant; as if black berets were the cause of poetic inspiration and not merely a symptom. One benefit of this is that one can generally sniff out pompous faux intellectuals by the sign that they hold up Holden as a sort of messianic figure.

Anyone who marks out Holden as a role-model is either a deluded teen with an inflated sense of entitlement, or is trying to relive the days when they were. But what is more interesting is that those who idolize Holden tend to be those who most misunderstand him. Upon close inspection, he's not depressive , not consumed with ennui or an existential crisis, he's actually suffering from 'Shell Shock'--now known as 'Post-Traumatic Stress Disorder'. The way he thinks about his brother's and classmate's deaths--going over the details again and again in his mind, but with no emotional connection--it's not symptomatic of depression, but of psychological trauma.

He is stuck in a cycle, unable to process events, going over them again and again, but never able to return to normalcy. It takes a certain kind of self-centered prick to look at someone's inability to cope with the reality of death and think "Hey, that's just like my mild depression over how my parents won't buy me a newer ipod! As recently as The Road we have American authors comparing a difficult father-son relationship to the pain and turmoil of an African civil war survivor--and winning awards for displaying their insensitive arrogance. Perhaps it's time we woke up and realized that the well-fed despondence of the white man should not be equated with a lifetime of death, starvation, war, and traumas both physical and emotional. And as for Salinger--a real sufferer of Post-Traumatic Stress who was one of the first soldiers to see a concentration camp, who described how you can never forget the smell of burning flesh--I can only imagine how he felt when people read his story of a man, crippled by the thought of death, and thought to themselves "Yes, that's just what it's like to be a trustafarian with uncool parents".

No wonder he became a recluse and stopped publishing. The Catcher in the Rye, J. Salinger The Catcher in the Rye is a novel by J. A classic novel originally published for adults, it has since become popular with adolescent readers for its themes of teenage angst and alienation. It has been translated into almost all of the world's major languages. The novel's protagonist Holden Caulfield has become an icon for teenage rebellion.

The novel also deals with complex issues of innocence, identity, belonging, loss, and connection. The b The Catcher in the Rye, J. There are many voices in this novel: children's voices, adult voices, underground voices -- but Holden's voice is the most eloquent of all. View all 15 comments. Aug 16, Ahmad Sharabiani rated it it was amazing Shelves: novels , fiction , classics , 20th-century , united-states , books.

Holden Caulfield, a teenager from New York City, is living in an unspecified institution in southern California near Hollywood in Story of Holden Caulfield with his idiosyncrasies, penetrating insight, confusion, sensitivity and negativism. View all 19 comments. May 08, Big Red rated it it was amazing. It was his first novel. It became very popular among young adolescents yet not so popular with older generations. I personally thoroughly enjoyed every part of this book.

I felt very close to Holden Caulfield, the main character in the story, as I read it. Holden Caulfield, a sixteen year old boy from New York, was quite unlike kids his age. He had no interest in being popular or social. From the very beginning he lets us into J. From the very beginning he lets us into part of his personal life. His parents are very touchy and his mother is especially protective.

He tends to lean away from the fake in the world and is a teller of what is real. Holden is not a fan of the movies at all. He saw his brother, D. One specific time in Chapter 8 he is talking to a cab driver who is acting like a real fool. Terrific personality. Like Holden, Salinger was known for his reclusive nature. Uninterested with the fakeness of the world, Holden keeps his distance from phony people. Salinger said his mother was over protective. He often talks about her with very high regards. Holden is not a character who tried to sugarcoat the way he sees the fakeness around him. I think that is another one of the reasons I like his character so much. For example, he is quite upset with the fact that his brother D.

Holden even says that his brother is his favorite author. Salinger himself is a man who wrote for his own pleasure and likeness. Though he found her extremely irritating he thought she was very attractive as well. Despite Holden being a sixteen year old teenage boy he acts much older than his age. One time in the story he has the chance to be with a prostitute but instead of acting like a pig, he starts to feel sorry for her and instead tried to have a conversation with her. He even offers to pay her for good conversation instead of for sex. But the reason I find his character mature and intellectual is for other reasons. Holden does not hold money or material things to be really important.

He is more excited to hang out with his kid sister than he is any other time in the entire book. He is content with something that would probably be boring to other guys his age. Like many teenagers, Holden is often depressed. The way he deals with it most times actually breaks my heart in a way. He likes to talk to his deceased kid brother, Allie. He will take a real event that he can remember where he was talking with him and pretend he is talking to him again. I do that sometimes when I get very depressed. He is not a jock. He is not a math whiz or a science whiz.

He is not really interested in sports. He is on his own a lot and loves it at first, but happiness and love are meant to be shared with others. It has a much less meaning when by itself and he realizes it by the end of the novel. He is growing intellectually little by little throughout the whole book. He realizes what really makes him happy. I would absolutely recommend this book to anyone and everyone who would like to read a story that could possibly change the way they view the world. I have honestly laughed outloud to myself as I read this story. Yes, there is talk about drinking, sex, and lots of cussing, but if you are going to avoid reading this story because of that then your missing out on a beautiful masterpiece.

View all 20 comments. Oct 01, Haleema rated it did not like it Shelves: hate , half-wit-characters , bad-writing. Well, this was a pain to get through. First of all, this is a shitty way to start a novel no matter how you want to introduce your main character. If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.

That is easily one of the saddest, most p Well, this was a pain to get through. That is easily one of the saddest, most pathetic introductions to a book. As I started this book, I wondered This is what the rest of the book looked like: "He was also the nicest, in lots of ways. He never got mad at anybody. People with red hair are supposed to get mad very easily, but Allie never did, and he had very red hair. I'll tell you what kind of red hair he had. Also, Holden thinks everyone besides him is a phony and a moron.

And he makes it very clear because he mentions it, like, every two pages. I read some of the comments regarding how I didn't understand this book because I didn't relate to it. That may be true. Very, very true. Regardless, I still think to this day that this book is a drag and has an unlikable main character and a dry, boring writing style. Perhaps I will read it again when I am older and maybe I'll enjoy it. View all 59 comments.

Salinger The Catcher in the Rye is a story by J. Salinger, first published in serial form in and as a novel in Through circumstances that tend to preclude adult, secondhand description, he leave Book from Books - The Catcher in the Rye, J. View all 3 comments. Sep 27, Paul Bryant rated it did not like it Shelves: novels. A spell in the army would do that young man a power of good! Or maybe a couple of bags of heroin. Anything to stop that whining voice View all 70 comments.

Jul 19, Dan rated it did not like it Shelves: literary-fiction. Reading this book was one of the biggest wastes of my time in the past twenty years. Holden Caulfield's problem is that he is the biggest phony he knows. Count the number of times he lies or behaves like someone he's not and then try to convince me otherwise. This is not a book about teenage alienation. It's about a smart-ass who can't deal with who he really is and spends almost pages ranting about it - most likely to a doctor in a psych ward.

View all 35 comments. Nov 17, Henry Avila rated it really liked it. Holden Caulfield is a mixed- up cynical teenager, getting kicked out of another prestigious school, Pencey Prep, in Pennsylvania, the irony is that this obviously intelligent, privileged, 16 year- old, is somehow flunking out, why? He doesn't care about anything, especially education, bored and feeling neglected by his wealthy, New York City family.

At least Caulfield passed English class, he's always reading, his big problem, he's so unmotivated, nothing seems important to this kid set in Holden Caulfield is a mixed- up cynical teenager, getting kicked out of another prestigious school, Pencey Prep, in Pennsylvania, the irony is that this obviously intelligent, privileged, 16 year- old, is somehow flunking out, why? At least Caulfield passed English class, he's always reading, his big problem, he's so unmotivated, nothing seems important to this kid set in Holden has no real friends in school, or liking anyone there, and the sentiment is very mutual, everything is "phony", his favorite word, which he speaks and thinks constantly. When Holden's younger brother Allie, died three years ago, it marked him forever, afterwards, the boy was changed and stops believing.

Getting into a fight with a much stronger opponent, his roommate Stradlater, and losing naturally no surprise to Holden, punishment he craved just before sneaking out of Pencey, an institution he hates, with a fervent passion. Taking the train to New York City, his hometown, but Holden doesn't go back to his uncaring family, his father, a well- to- do lawyer, too busy for Holden, nervous mother, she wants quiet, please, older brother D.

Checking into the Edmont Hotel in the "Big Apple", a rather shabby, rundown place, I wouldn't recommend staying there and then the elevator operator the sleazy Maurice , gets him a prostitute, Sunny, she's Holden's age and he kind of feels sorry for her. Gives the lady of the night, five dollars just for talking, sends her away, good deeds are always rewarded, Maurice, comes back with Sunny for more money, a dispute arises, but they leave with an extra five, and a sock in the stomach of the poorer, but wiser Holden. Chain smoking with gusto and delight, drinking in bars, dives like a man, where people aren't too concerned about a customers age just the color of his dough, going to a Broadway play with a very accommodating girlfriend, attending the loathsome movies and seeing all those phonies, the actors, fighting with unsmiling cab drivers , the kid is having a good time, living like a grown-up, as long as the cash lasts.

But what will he do, runaway or go back and face the music The bible for disgruntled teenagers, and a must read for every new generation View all 37 comments. Jun 19, Melanie rated it really liked it Shelves: classics. As a child, we are protected from life. As you enter adulthood you could start to see things and people as phony or fake. Maybe not people, As a child, we are protected from life. Maybe not people, but certain tasks or events certainly are. There is a conflict, simply of time and energy. We desire the intentional and struggle towards spirituality; all while trying to earn a paycheck, wash our dishes, and sleep each night.

It kind of reminds me of what I picture an AA meeting to look like. I think, rarely could someone find a place where people are more vulnerable, open, and honest with each other. Even if they win over addiction… how could life ever feel as full after that brief moment shared with others who completely understand? At the same time, the point of those meetings is to help people live- not just free from drugs, but maybe free to live in the mundane? Free to enjoy the dance of life, the needs of the soul balanced with the chores too. Catcher in the rye touches on some of these questions. Holden struggles with growing up. He sees everything as meaningless and adults as predictable and fake. I think he is mourning the loss of his innocence… maybe not just right from wrong, but the loss of dreams growing up seems to require.

Holden, while at the museum that is exactly the same as it was when he was a kid says he likes it, because each time you visit "the only thing that would be different would be you…" and goes on to say "certain things they should stay the way they are. You ought to be able to stick them in one of those big glass cases and just leave them alone. When I was a kid, I used to smell my dad's coffee- that strong sugary-sweet smell of roasted beans. You wait for your chance to be let in on this excellent secret. Thinking it is just the caffeine that is preventing your parents from giving you a taste. Finally, they do and then all your dreams of that sweet flavor come crashing down! It's wrecked! Coffee isn't at all what you thought it was! That is, until the day you give it another chance, you start to be able to smell and taste the different tones coffee has.

You can appreciate it for its varied, and almost living flavors. You see… Coffee isn't bad- it just wasn't what you always thought. The key is in finding the hidden flavors and getting over the fact that it will never taste as sweet as it smells. I think Holden struggled with the initial shock, that although life is more bitter than it "smells", or than you think it will be, there are the hidden joys and sweet flavors that make it almost better! Holden experiences the extremes of entering into adulthood and relates it in a way everyone, maybe especially, teenagers can understand. He is a flawed character who is desperate and depressed. As the reader, you can see why he feels the way he does, as he explains it so well you almost feel it with him.

However, you can also see the flaws in his thinking. The author doesn't romanticize Holden's life, you don't read it thinking he has some special key to life that we all need. You simply feel his struggle to fit in and hope eventually he can learn to play the game and see the beauty that is there, hidden a little. View all 13 comments. Holden Caulfield is a character many, many people hate. And trust me, I get it. He's a posturing hypocrite. He's a dick. I wanted to hit him in the face for at least a hundred pages.

We know this. But he's a character that, for some strange reason, resonates with thousands of people. Well, simply put, it's because he's written like this on purpose. But I think that doesn't quite get to the heart of it. Holden is a fifteen-year-old kid on the verge of an emotional breakdown. He's an asshole. He's a liar. He's a hypocrite. And he's also See, as a preteen, I struggled with severe emotional issues. I had depression and anxiety, although I didn't know it yet. I was going through major emotional issues with my parents, ones far worse than teen angst. I was on the lowest rung of the social pole at school. And God, I was an asshole. I was whiny and I was a hypocrite. I knew it, too, and I cried myself to sleep thinking about it.

In the daylight, I told myself everyone else was terrible and that's why my world was falling apart. I was just as hypocritical and torn up inside as Holden is. Holden is an asshole, granted. But he is an asshole that it's hard not to relate to. So all this is to say that I completely understand why so many hated this book. But it resonates with me, and with so many people I know, for the exact reason that it will be polarizing. This is the kind of book that's going to be incredibly divisive. This is the kind of book that should maybe be taught by a teacher who loves it thanks, 9th grade English teacher who hated me. And this is the kind of book that sticks in my head, a year after I first read it.

It's truly worth the read. Sep 29, Lyn rated it really liked it. What can I say? As I write this review, there are almost 2 million ratings on Goodreads and over 36, reviews. I wish now that I read this sooner. I did not love this book. I was getting apprehensive, was I going to be one What can I say? What did he read that led him to the act? Or was his declaration a pretense for something else? Why is Holden so cynical and at the same time respectful and thoughtful of others? With a revulsion of even touching the words written on a wall? Is Holden gay? Ultimately I am left with more questions than answers. This is a book I want to think about. View all 22 comments. Jun 25, Lisa rated it it was amazing Shelves: favorites , books-to-read-before-you-die.

Holden is the teenage mind in all its confusion, rebellion and irrationality, and in all its undefined hope for individual heroism. It's not even helpful, realistic, smart, beneficial Using Holden is the teenage mind in all its confusion, rebellion and irrationality, and in all its undefined hope for individual heroism. Using swearwords, trying different ways to tune out reality, not doing what one is supposed to do, those are all different methods of practicing the BIG SCARE.

Growing up. Facing responsibility. Soon, soon, soon And the weight is heavy on the young shoulders. Roaming the streets relaxes nerves. But still. There is an element of idealism in most teenagers' hearts. They don't usually want to fall into the traps of conventional evil. They want to change the world, make a difference. They are just struggling to come up with ideas how to do that, as their experience is limited. And they can't put their ideas into a wider context either. So being a catcher in the rye may make sense.

It isn't necessarily the teenager's fault if nobody turns up where they wait to save lives, right? Teenage intentions are more often than not good. The results vary though. And their verbal skills are developing in conjunction with their minds as well: "Happily, some of them kept records of their troubles. You'll learn from them—if you want to. Just as someday, if you have something to offer, someone will learn something from you.

It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry. Luckily, some of them remember later and share, - for us teachers to enjoy when we think it is impossible to understand the monsters that all of a sudden show up at the end of Grade 7, replacing lovely and enthusiastic children over night! I hope some of my students use the long summer to enter the beautiful arrangement Holden suggests and read this classic. Hope's that thing with feathers View all 25 comments. Jan 05, David rated it it was amazing Shelves: pants-crapping-awesome.

So it's like this. My not-just-GR-friend-but-very-real-friend brian called and told me that J. Salinger had died maybe about a half hour ago as I begin this 'review'. This sounds immensely absurd, pathetically sentimental, and embarrassing to admit, but I'm glad I heard it from him and not from some animatronic talking head with chin implants and immobile hair on the nightly news or from an obnoxiously matter-of-fact internet blurb, commenting like a machine on how Holden Caulfield has Okay.

This sounds immensely absurd, pathetically sentimental, and embarrassing to admit, but I'm glad I heard it from him and not from some animatronic talking head with chin implants and immobile hair on the nightly news or from an obnoxiously matter-of-fact internet blurb, commenting like a machine on how Holden Caulfield has lately become less relevant to Generation Y or Z or AA or whatever stupid generation we're up to now. At first when brian told me, I thought, 'Oh, well He was old. He was probably batshit crazy anyway. It was his time to check out, I guess. What difference does it make? He's been dead to the world since the mids.

Before I was even born. A strong case could be made that he truly died in spirit when he started stalking Elaine Joyce on the set of s sitcom Mr. And yet I still clung to this still technically living legend as if he were some kind of talisman I could wear around my neck, a good luck charm to ward off phonies and all manner of soulless dreck who populate this despicable world, writing 'fuck' on grammar school walls and metaphorical equivalents.

After returning for a few minutes to my soul-deadening job, which -- when you really get right down to it -- is just another way of killing time until I join Salinger in oblivion, I started getting all funny-feeling about it. At the risk of sounding like an adult contemporary power ballad written by Jim Steinman, with synthesized violins in the background, I began to feel as if my adolescence had finally come to an end.

I guess it's about time. So of course. I love all of Salinger's writing, but his value in my life has far surpassed that of a 'mere' literary pastime. He has kept me company for many years when I felt left behind by the exigencies of time and the claims of 'maturity. With graying hair. And deepening crow's feet. What idiots! Lots and lots of people feel a special connection to Salinger's writing -- for just the reasons I described -- and lots and lots of people hate his writing because they find it grating and immature Catcher in the Rye or pretentious and ponderous the Glass family stories.

But I felt compelled to commemorate today in some way -- however trite and superfluous -- because I sense again and again with the relatively recent deaths of some of my heroes, like Ingmar Bergman and Jacques Derrida, for instance that I am entering a world that is no longer safeguarded by the great men and women of the elder generation; I am entering a world in which I am now the elder Yes, this still frightens me, but I'll always have Salinger's very particular and empathetic world to which to retreat when I have sacrificed too much of myself to a real world I'll never completely understand or feel at home in. View all 56 comments. Feb 05, Licia rated it did not like it Recommends it for: spoiled, white, rich kids who feel misunderstood.

I know there are people who thought this book changed their lives and helped them find their unique way in the world, but coming from a non-white, non-middleclass background, as a kid, I really resented having to read about this spoiled, screwed up, white, rich kid who kept getting chance after chance and just kept blowing it because he was so self-absorbed and self-pitying. I felt at the time there was no redeeming value in it for me. I was born on the outside trying my best to get in. I felt n I know there are people who thought this book changed their lives and helped them find their unique way in the world, but coming from a non-white, non-middleclass background, as a kid, I really resented having to read about this spoiled, screwed up, white, rich kid who kept getting chance after chance and just kept blowing it because he was so self-absorbed and self-pitying.

I felt no sympathy for him at all. I didn't even find him funny. It just made me angry. I guess it still does. View all 36 comments. Jan 22, andrea rated it did not like it Shelves: books-that-i-own , classics , what-a-bad-ending , made-me-cringe-sometimes , disappointed , heavy-topics , tried-too-hard-to-do-something , bad-beginning , books-i-read-for-school , douchebag-character. I cannot positively find a good thing to say about it whatsoever. Before anyone decides to come at me for hating this book and say, "Andrea, you're so immature and uneducated" or "Andrea, it was written in the s, what do you expect", no , I will NOT apologize for detesting this book and no , I will NOT excuse any of its problematic content because it came out a long time ago.

To top it all off, I practically killed myself reading it. It was awful to get through. I wish I could throw the book into a paper shredder, but it belongs to my dad and it's from the early s so if I wait a couple of years, I can probably get an antique shop store credit. This book is about A character examination? An inadequate and inaccurate account of depression? A plot to piss everyone off who is reading? A slacker who does stupid things and uses hypocrisy and lying to get himself out of situations that he created? A boy who gets kicked out of school? One of the worst things, if not the worst thing about this book, is the vernacular used.

Salinger writes in this method in which he attempts to emulate the way an actual teenager speaks. That would make it more realistic, he thought, but it was actually just annoying. If I have to hear another character [Holden Caulfield] use the phrase "like a madman" or "like a bastard" or "goddam" which was horribly misspelled, by the way , I am literally going to gouge my eyes out with a spoon. Am I the only one who finds Kay Francis homely? Not just plain or less than beautiful, but out and out homely?

I agree that she wore gowns well but her ugly face distracts me from the fashions. Both were successful TV producers and made a fortune at it. Jacqueline White still with us aged Starred in numerous films in the s and her last film was Narrow Margin in Never hear her mentioned anywhere at all nowadays don't think? R, I don't think she's ugly, just not beautiful. But she made up for it by her glamorous style. Miss Francis was a tall 5'9" and wore clothes well. Warner Bros capitalized on this by dressing her in fancy costumes and glamorous gowns to appeal to Depression-era women who lived vicariously through her characters.

I guess having a "homely" appearance but decked to the nines made her more identifiable to the average woman. Does anyone remember lovely Joan Caulfield? I imagine she's totally forgotten today but she was one of Paramount's biggest stars in the post-WWII years and often costarred with Bing Crosby and Bob Hope in musicals and comedies.. Loved her! Jane's performance in "Irene" was far superior to Debbie Reynolds' who played the role first. Jane inhabited the role while Debbie played Debbie and not even well.

Sorta not surprising in that Joan Caulfield was a young man's fantasy blonde wet dream when he was first writing. Warners bought out her contract and co-starred her with Cagney in the noir "White Heat" then put her in a series of musicals "She's Back on roadway" "She's Working Her Way Through College" and "Painting the Clouds with sunshine" then freelanced, doing Westerns and Dramas. She worked steadily all through the '50s and did a lot of TV in the '80s. She died in , age I wonder if Virginia Mayo's versatility did her in? She avoided typecasting but also avoided lasting stardom. R, I loved Virginia Mayo. She played trampy so well. Powell and Montgomery were at the top for a very short period. They both were able to hang around doing forgettable stuff for the next 20 years and entered television.

Both were blacklist supporting Republicans, reason enough to forget them, if Powell's dull crooning wasn't enough. An urban legend states that Caulfield's film Dear Ruth inspired author J. Salinger to name the protagonist of his novel The Catcher in the Rye "Holden Caulfield" after seeing a movie theater marquee with the film's stars: Caulfield and William Holden. The earliest known use of the Caulfield name, including a mention of Holden, is in the unpublished story "The Last and Best of the Peter Pans. Since Joan was a leading model by and her acting career began in with an appearance in the short-lived Broadway musical Beat the Band, this version of the legend makes his using her surname for his character at least possible.

R Dammit! I'll never believe anything Bob Dorian tells me again! That's where I heard it, on AMC nearly thirty years ago. She was the Eva Marie saint before eva Marie saint. They both played similar types. Hunky William Hopper, Hedda's pretty crotchfruit is in it too. Lots of eye candy in this one. Used to live with a couple who were originally from Cambridge, born and raised. Cambridge University does make the town affluent, but it also drives up the cost of living for locals massively, and makes a lot of everyday things inconvenient or a hassle.

It's tough enough being a last minute replacement on a soap with all the dialog and relationships you have to instantly learn, but she hit it out if the park and made it seem like she had been playing the part for decades. Seriously, did Jane talk about how they had to piece together Jeannette's vocals to make sure she was even remotely in tune? I mentioned her upthread, r The Academy voters liked her in Key Largo as well, r Claire Trevor is more of a character player than a "star". Someone needs to do a tribute to character players who probably were more interesting than some of these bottom of the A-list and top of the B-list stars we've been discussing who often had pretty brief periods in the limelight.

Holden Caulfield goes to see Random Harvest at Radio City which was one of the biggest hits it ever had opening for Christmas and playing until March. It is one of my favorite movies but Holden doesn't like it. Ronald Coleman was one of Hollywood's greatest stars but does not seem to be remembered on the level of a Gable, Fonda or Stewart. Susan Peters who gives a wonderful performance in it has already been mentioned. Like they never existed though they were among the most famous men in the world for at least 35 years. It's really all about a star appearing in a memorable huge hit film or 2. Vivien Leigh only made a handful of films, most of them rather obscure by Hollywood standards, but she was sensational in GWTW and Streetcar and will therefore always be remembered and be a Hollywood icon.

I doubt that many people under 35 would be able to identify John Wayne and name one of his films. Lola Lane, mentioned at R, was once married to actor Lew Ayres, mentioned several times above. She was also married to Roland West, until his death in West may have been responsible for the mysterious death of Thelma Todd. He supposedly confided to his best friend, Chester Morris also mentioned in this thread that he had killed her.

Leota Lane auditioned to be one of the "Four Daughters," but she didn't get the part. She must've stunk pretty bad since she was the only acting Lane sister not to get cast. Gale Page got the part. I was thinking something similar while watching a youtube clip of Judy, Sinatra, and Dean Martin performing together on her show. How such tremendous talent as theirs has no relevance in today's musical landscape of Kpop and Cardi B, and in 10 or so years they will be just as forgotten as Rudy Vallee, Lillian Russell, and all the popular stars of their day.

R, that's not true, and you know it. You're just looking for an excuse to bash non-white people K-pop, Cardi B. Renee Zellweger recently won an Oscar for playing Judy, she's not forgotten. R, I wasn't even thinking along racial lines, but okay. My apologies. I was just thinking how Judy, Frank, Dino's brand of entertainment has given way to entertainment that is either sexually explicit or manufactured gimmickry, and no longer relevent to today's standards to remain popular.

Not all artists today are "gimmicky" or "sexually explicit" For every Sinatra, there was a Fabian. Some people are just stuck in the past and can't accept change, I guess. Hopper was very handsome sort of a fair haired pierce brosnan. Bing Crosby has 'White Christmas' the song, less so the film so for that, if for no other reason, he'll have some sort of cultural traction for a while.

R, whoever mentioned Gloria Holden He went by the name of Glory Holden, and looked like Milton Berle in drag. Thankfully, he always had the non-sexual comic relief roles. R I am currently writing a detailed book about the sopranos who graced Hollywood films from the late 20's through the 60's and MacDonald is one of them. Anna in "The King and I". There isn't a flat, sour or off-key note to be found in any of these and I was surprised to discover, through those tapes, that she was not just a movie singer.

The two Gounod Operas were clearly chosen because they were in her range but if you didn't know it was her, you'd think you were listening to one of the better Met singers. I am sure it didn't hurt that she trained with the legendary Lotte Lehmann. Her Mrs. Anna in "King and I" is the best vocal performance of the role I have ever heard. By then she was wise in doing musical comedy and her voice and middle register are outstanding. I've not found any evidence to support your claim about having to put together her vocals and I have reviewed hundreds of documents from the music department at MGM and Paramount. Jeanette McDonald got excellent reviews for her opera performances. Even a notoriously difficult Chicago critic liked her performances.

Her teacher, Lotte Lehman, at first thought she was going to be pampered movie star, but was then won over by how hard McDonald worked at her studies. A musical friend mentioned that he thought in some of her movies that he thought they had her singing in keys that were in tessituras that were too high for her -- she had the notes, but was really was more of a lyric soprano with coloratura extension rather than a true coloratura. I got this album in my I'd never heard her sing San Francisco. When she got to the "jazzy" part, I thought the record was warped. She generally seemed to use her voice very capably and sometimes stunningly so.. The January, Carnegie Hall concert should have been released by RCA Victor because, at almost 50, she sings with a confidence that is beautiful to hear.

Her "Siempre Libre" is far better than the version she sang in in "San Francisco" and the shrillness of the next to last note of the film's recording, would indicate it was the fault of Douglas Shearer and his recording department not Miss MacDonald. In the concert, she hits it perfectly - beautifully placed and very pure. She also done an exquisite "Ebb Tide" that can only be described as sensuous, a word not always associated with MacDonald's singing, although she was quite sensual in some of her Lubitsch comedies which displayed her amazing skills at romantic comedy.

After listening to all of these and learning more about her musical career, I have developed a genuine respect and admiration for her. Totally forgotten today but a huge Hollywood star for a few years in the s was opera star Grace Moore. Sophisticated Warner Baxter was a major star in the early '30s. His Crime Doctor films of the '40s are really wonderful little B films. He seems to be forgotten now, but he didn't really have anything about his personality that would make him endure through time.

Always interesting to watch. Add to those operatic star Deanna Durbin, probably the most popular of all, who saved Universal with her first 2 films. Many of her subsequent films were very popular indeed. Back in those days there was a lot of opera and classical music played on the radio, and the tradition of legit voices started to veer off into crooning and jazz, not as radical as when later later hard rock 'n roll called for a very different kind of vocal style. That operatic and classical tradition was something very popular and part of a cherished tradition back then. Other opera stars like Lawrence Tibbett who got an Oscar nomination for "The Rogue Song", a lost film except for fragment, as did Grace Moore for "One Night of Love" started to be enlisted when sound came to films as well.

He had star parts in the early 30s opposite Garbo? He made a very lovely recording which is occasionally played on quality radio programs. It is VERY poignant. They were all being honored for their contributions to musical films. Of the four sopranos, MacDonald had the longest screen career - And then there is Lubitsch's The Merry Widow with a whole slew of DL faves and a budget that would have been enough for Universal films for a year.

Richard Barthelmess. A handsome, brunette leading man of the silent era who was alas also cast in Chinese the infamous "Broken Blossoms" with Lillian Gish and Native American, as was done back then. According to TCM, he underwent unsuccessful plastic surgery in an attempt to prolong his movie career and was scarred so badly that it ended his on-camera career instead. He's quite wonderful in Broken Blossoms and it is one of the more brutal films you will see. Griffith didn't have a problem showing people at their ugliest. A very great film. Barthelmess is beautiful in Tol'able David.

I'm glad r mentioned Ronald Colman, who had a great career from the silents, transitioned to talkies, and worked right up to almost his death in the late s. Edmond O'Brien had a great career and was an Academy Award winner yet would hardly be recognized today. His later descent into alcoholism and addiction tarnished his looks and work. Likely to be forgotten by the Millennials. O'Brien won an Oscar as well. Or even anyone under The more I found out about John Wayne, the more I came to despise him.

I refuse to watch any of his movies. He was actually very good. The original "Stagecoach" is an excellent movie -- everyone in it does a great job, including Wayne. He's also good in Barbara Stanwyck's "Baby Face", , a small part but well done and he was a very appealing young man. Marion Morrison vaguely was handsome briefly in the s. He was 'a big lug' like this new footballer guy Carl Nassib. Thanks R That should serve as a warning to R That must be some kind of glitch. R this is the result of pricing software, which makes Amazon prices on used items just stupid and idiotic, I don't know why they allow this. For a nearly a quarter of a century until the early 50's , films starring sopranos were often among the top moneymaking films of their release year.

Then suddenly you couldn't give away tickets to most films featuring sopranos with a few notable exceptions. The fact that many of these stars had fans that were in their teens and twenties, and not merely elderly folks, at the time, reliving a previous era, merits what I hope will be an entertaining look. While great talents like Garland, Astaire, Kelly and others are often credited as being the real stars of the Golden Age of Film Musicals, MacDonald and Durbin, in particular, were box-office powerhouses, and at the top of the international popularity polls from the mid's well into the 's.

Both were successful but the profit for "Show Boat" exceeded the profit for "American" by over 1 million dollars. Elmer Clifton was dreamy. And he did it all. Of course, most of it was in silent flm. He helped make Hollywood and should be much better remembered. Hope Williams, for whom Phillip Barry wrote the play "Holiday. Hepburn said of Williams: "I stole a great deal from Hope. She was the first fascinating personality from that period, to , which wasn't really ready for her.

She was a woman who blossomed with a little more than she was supposed to. The film received okay reviews and many said Eddy gave his best performance. Rise also received praise but moviegoers did not take to her. The film grossed less than 1 million dollars netting about half of that and losing a considerable sum. Because of Crosby's popularity, the film was a blockbuster for it's time. Rise performed a number from the Opera "Carmen" "Habanera "Despite a stellar Met career and a career on radio, television, recordings and as a concert artist and later in some stage operettas and musicals, her film career never took off.

It was a similar situation with Lily Pons, Gladys Swarthout and others who trekked to Hollywood but never found enormous film success. Grace Moore failed in two attempts but came back in at Columbia with the hit, "One Night of Love". She became the only soprano to be nominated as Best Actress at the Oscars. However each successive film she made in the 3 years following, took in less and less at the box-office and the last two lost money. Even the film about her life that was filmed at Warners in , several years after her death and starring Kathryn Grayson, flopped.

I've forgotten her name even though we made a film together. Abused her adopted kids. The fucking name of the bitch escapes me! Gloria Holden is now friends with Trudy and moves in with the Phillips family. R thank you, that was a nice change from Roddy's home movies, but I'm surprised at how very middle class it all looks. Noel was no Cecil Beaton. R Take that, Rita Moreno! Interesting that she was cast this way. Her Broadway co-star as Julio, Tony Bavaar, had a gorgeous voice, especially singing "I Talk to the Trees", which in the movie Clint Eastwood sang, which a critic said sounded like a moose. It also helped that Stevens was known at certain performance for letting at least one of her boobs fall out of her costume.

Plus Rise was very pretty and a very good actress. Frankly, I think I've heard more sumptuously sung Carmens though. But she apparently had the total package. Nelson Eddy is quite good in the film in his acting. I remember reading there's a least one Eddy-McDonald film where they went out of their way to make him more animated in his movements, and they succeeded pretty well. Of course, he always sounded wonderful.

But McDonald was more fun and free and had a usual gratuitous lingereie scene in her early Paramount films directed by Mamoulian the superb "Love Me Tonight" and Lubitsch. Her debut in "The Love Parade" opposite Chevalier is really impressive. She had appeared on Broadway, and Lubitsch called her in after seeing a screen test of hers after looking at a number of them while looking for a leading lady for Chevalier.

She has such authority on screen opposite over the title star Chevalier, and she's so sexy and fun in that and her other films opposite him. MGM toned down her sexuality and made her more ladylike opposite Eddy, which partnership was obviously extremely popular, but not quite as fun as she had been in her Paramount films and the Lubitsch "Merry Widow" at MGM.

He is not well-remembered today but did a handful of films that were good and despite "Show Boat" perhaps being more renowned, "The Firefly" sizzles when he and MacDonald are on-screen together. Had she not been stuck in the "Operetta Rut" at Metro, she could have segued, as did Irene Dunne, to roles where the singing was more incidental. She and Dunne were best friends and would sing together when dining with their spouses at one another's homes. Sadly no recordings were ever made.

An interesting project for MacDonald in the early 60's was this one, as noted on a CD tribute to Hugh Martin: "It also offers memorable songs from unproduced musicals including the legendary Here Come the Dreamers, a fascinating project planned for Jeanette MacDonald and Liza Minnelli, but aborted when MacDonald was diagnosed with cancer. Actually Jeanette had a serious heart condition, not cancer, and underwent surgery performed by heart surgeon, Michael DeBakey.

We rarely hear anything any more about Mario Lanza, the last operatic star to hit it big in Golden Age Hollywood before he clashed with MGM, got fired, then ate and drank his way into near bankruptcy and an early grave. I remember hearing as a kid that he ate himself to death, r I took it literally Lanza had a great voice, but was notoriously difficult. At one point, there was talk of teaming him with Judy Garland, until someone said something like " You want to team up the two most difficult [in terms of whether they will show up on set, etc.

Do you want this film to ever be made? Lanza was nasty to co-star Doretta Morrow. He could also be crude; apparently the story goes, he was in some restaurant and the service wasn't fast enough for him. He supposedly stood up, took out his [big] cock, and beat it against the table saying "Don't you know who I am? He had a huge appetite and weight was a big problem. He died apparently while reducing at a spa on some experimental therapy in Europe, though there were rumors the mob might have been involved. Great voice, though, and a real shame. He was only like She found him to be very crude and with an ego that had no end to it. She was friends with his wife Betty, who died about 5 months after Lanza did.

In , his son Marc Lanza died of a heart attack. He was 37, a year younger than Mario was when he died. In , daughter Colleen Lanza was struck by a car as she crossed a street. She spent two weeks in the hospital in a coma from which she never recovered. Lanza's surviving daughter, Ellisa Lanza Bregman, helps administer his estate and has previously opened up about the family's tragedies.

Mario Lanza was the uncle of actress turned nun Dolores Hart. She was a protege of Hal b. Legendary MGM hairstylist, Sydney Guilaroff told a story about Lanza for his autobiography that was ultimately edited out, but it bears telling. Lanza was furious at a wig Guilaroff had designed for him to wear in an MGM film and yanked it off his head, throwing it at Guilaroff and stating, "Thiis thing makes me look like a pansy and I hate pansies and I hate you. Lanza couldn't work for the rest of the day but the film's producer, Joe Pasternak, said it was worth it.

Lanza did want to sing opposite Deanna Durbin in films and begged Joe Pasternak, who had tried many times over the years to get Deanna to un-retire, to return to films. She probably heard of Lanza's reputation, which didn't help in trying to get her back from France. The studio also pursed her to star in "Kiss Me Kate" during that same time period. Her friend and former Producer, Joe Pasternak produced "Prince". I think , r, that her exact quote was "Shit, I'm not getting back in that shit business with that shit head! Though I believe she used the word merde. That would have been quite a reunion on film! She'd have been great as Sarah Brown in "Guys and Dolls" when I'm sure all known sopranos names were being bandied about, same as with "My Fair Lady" years later when a comeback would have been big news.

Plus Deanna had been wanted for the Broadway original. The story reportedly goes that Judy Garland called her old frenemy Deanna when Judy was doing a show in France, complaining about stuff, to which Deanna replied "Are you still in that shit business? In the 's "feelers" were also put out, informally, for Deanna to star in the French production of Sondheim's "A Little Night Music". No interest was shown and the idea quietly died. Miss Durbin already had rejected the chance to portray Lili in London's West End, where the British production played performances at the Coliseum Theatre, running from March 8, until February 23, Patricia Morison, Broadway's original Lilli, re-created the part in London. In addition to the planned Broadway musical with Liza, Jeanette MacDonald was also approached in the 's by producer Hal Prince to star in a musical version of "Sunset Boulevard".

In the s, MacDonald was approached about starring on Broadway in a musical version of Sunset Boulevard. Harold Prince recounts in his autobiography visiting MacDonald at her home in Bel Air to discuss the proposed project. Gloria Swanson, who had a lovely soprano voice in a few films, was also approached and did some recordings for a "Sunset Boulevard" musical years ago, too. Her only asset, her screetchy voice, was eclipsed by Deanna's , and all she could ever score was the like of Minelli's ugly gay ass, who gave her her equally monstruous and daft daughter, while Deanna had a c harmed life and beautiful children, and was well liked by her peers.

Like her friend Bacall, Pignose got her due with her only oscar nomination, and died on a toilet, where she belonged. Jeanne Crain - a big star in the s and then had to do television shows and movies in the s. A common occurrence for pretty young things when they turn Eleanor Parker - a long, storied Hollywood career that turned after being cast as the bitch baroness in the "Sound of Music". Ruth Warrick - Made one of the great movies of all time for her debut, Citizen Kane, stayed steadily employed through the s and early 50s, then became a soap legend, first on Guiding Light and As the World Turns, but best known for playing Phoebe on All My Children.

From all reports, Deanna was not jealous of Judy in the least. She always answered the phone would Judy would call, right up until when she last phoned her. She never felt competitive and recognized that they were two individuals with great talent. Judy, who probably suffered from Manic-Depression, before it was ever easily identified and treated as it is today, had serious issues and those included with anyone with whom she felt competitive.

She had poor self-esteem despite having enormous talent. She also liked to play the victim card and blame others for her problems, even when it was her own fault. She was also surrounded by people who didn't allow her to self examine or get the kind of help that would have saved her life. She attracted users and manipulators, sadly. Liza, in many ways, seems to have inherited the gene that can cause Bi-Polar.

Deanna had a gift of self-awareness and after two bad marriages in Hollywood, recognized that she had a choice - s career or personal happiness. She chose the latter and left at the age of 28 without so much as a backward glance. She could have continued and there were offers for films, stage work, concerts, among other things. She was adamant, however, in not second-guessing her decision. As a result, she had a third marriage that lasted nearly 50 years and raised two children who grew-up normal and without "Hollywood issues". She lived to be 91 while Judy, unfortunately, passed away at Universal, which Deanna had saved in with her first two films, moved away from making musicals after it became Universal International in the mid's.

IN fact, in the twenty years after Deanna's last film , Universal only made two musical films of any note. Deanna settled for and found complete happiness. Judy needed the crowds, adulation and work to keep her going because her inner demons made her fearful of being idle. Had Judy survived into the 70's, new treatments like Lithium, might have made her issues easier to handle. Patty Duke is an example of someone with a similar problem who was able top control the illness instead of it controlling her, although it took work and a good support system.

Judy also had the problems of pill-pushers and people more interested in using their product herself more than in her mental and physical health. She got out of there by the time she was 28, but the damage was already done. Deanna was fortunate that she had a loving, supportive family including a sister who at the beginning believed in her enough to pay for her singing lessons who made sure the studio didn't mess around with her. Plus she was the biggest star at her studio and was appreciated, while Judy's talent was understood to be phenomenal, MGM didn't seem to realize she was a person too. Sadly I don't think Eleanor Parker had the clout to make studios given her the best scripts consistently. For me, hers is the best performance in "The Sound of Music" and I cannot for the life of me understand why the Captain chooses Maria.

Parker took a role that was not overly large or developed and could, in the wrong hands have been very unlikeable, and makes it memorable. There's a moment where she's on the staircase, when you can see her change personas from the back. It was stunning. The people in these messy, chopped-up s silent home movies are in a different class to today's obsessed Instagrammers. These people want to relax in their country clothes which were chosen for comfort rather style. There's an ill-chosen dreary song on the soundtrack; Clifton Webb looking almost attractive at 3.

His list songs are just as mechanical and banal as Cole Porter's list songs. However this clever song, below performed, I assume, in front of drunks in Las Vegas actually has a feasible plot as well as meticulous rhyming. Not mentioned much anymore. R " Judy needed the crowds, adulation and work to keep her going because her inner demons made her fearful of being idle. I would say she needed the crowds, etc. When that happens, one equates applause with love and acceptance. That's why she couldn't stop. And of course the drugs didn't help I liked North To Alaska. John Wayne's wig knocked off in fight Ernie Kovac did it a good Fabian performance and Capucine's heartfelt one.

Not quite Golden Age, but was watching "Gidget" which was actually a very good film, and on those TCM film noir nights, "The Brothers Rico" and James Darren was really an excellent actor studied with Stella Adler , very good-looking and a very good singer. He's still alive, too. He deserved a better career. Richard Conte was quite hot and excellent as the star of the latter; it's said he was wanted to play the title role in "The Godfather" until the studio insisted on bigger star Marlon Brando.. I saw the first many years ago and I was amazed how good her accent was. MacDonald's French in the two films you reference, was flawless. I've a feeling that she may have chosen two French Operas by Gounod, to showcase her impeccable French.

One critic noted that for the first time, seeing "Faust", he understood every word that Jeanette sang because of her impeccable command of the language In the early 30's, prior to signing with MGM, she undertook two concert tours that included Paris, and was cheered for her perfect dialect. Maytime is a favorite of mine. Kind of long and lumbering but John Barrymore is great and at the end it packs an emotional wallop that makes it worthwhile.

Ann Savage basically set the screen on fire in Detour. He played one of the meanest dames in cinema history and didn't try to get any audience sympathy. Just kidding! She was awful. Who did she fuck for a career? She was incapable of delivering natural, believable performances. Yes indeed, we too use "cookies. Otherwise, you'll just have to find some other site for your pointless bitchery needs. Become a contributor - post when you want with no ads! Forgotten movie stars of the golden age who deserve to be remembered, who are they? Marilyn Miller. Norma Shearer. R1 Gish was a racist?

Never mind WHET her? Joel Mc crea hotter than the sun. Maureen O'Sullivan is not forgotten, OP. She will always be known as Jane from Tarzan. Joel getting Katie all hot and bothered. I'm not sure they know the name of the actress though. Dana Andrews. John Payne and Dana Andrews Someone needs their prescriptions checked. Irene Dunne owns this thread. Charlotte "Aunt Eller" Greenwood, for her high kicks. John Payne was hot very early in hit career.

Didn't age well though. Here he is at age Brando is the 1 movie star of the golden age who deserves to be forgotten. John Hodiak. Dixie Dunbar owns this thread. She will have to share it with Mitzi Mayfair, r Irene Dunne is a delight. Wise cracking dame, and big ol' dyke Lilyan Tashman. Claire Trevor. Glenn Ford. Jeff Chandler - woof! You could iron your shirts on it. Jean Arthur. My favorite from the Golden Age. And I did! And then I hung them on hangers more wooden than his acting! I think R43 has a point. Sylvia Sidney. Gene Tierney. Loved her in The Ghost and Mrs. Muir and Laura. I mean, come on. Linda Darnell. Linda Darnell was the first Celebrity Roast. Norma at the end of Marie Antoinette was truly moving. Here he is with Vincent price looking like Tyrone. Zanuck also ran the studio that made John Payne shave his chest.

His performance in Holiday as Kate's alcoholic gay brother is wonderful. Brian Aherne was very sexy in Sylvia Scarlett. R72 I agree. Another vote for Jean Arthur Belle Poitrine. Ann with the divine Gary Cooper in Peter Ibbetson. I love hunting accidents. Whoooo, r91??? Oh, yes, Belita is soooo much more famous than Sonja Henie Marsha Hunt. R95, I saw that too! She sounded like a truly great person. R12, that is Joel McCrea's son at your link. Eleanor Powell. Arguably a better tap dancer than Fred Astaire. He was super hot, though. I adore his chemistry with Janet Gaynor. Marsha Hunt is still alive and Really good actress and fascinating life.

William Holden. Patric Knowles. Holden is remembered for I Love Lucy. Marie Dressler. That was William Holdens peak moment R A divinely handsome and sexy man. From her Wikipedia page : [quote] In , Hunt debuted a clip of a song she wrote 40 years earlier titled "Here's to All Who Love" about love and same-sex marriage. R7 We devoted posts to this faker before—. Not only a fine actor, he was also an admirable man -- per Wikidpedia: [quote] In March , Ayres was identified as a 4E conscientious objector and sent to a CO camp.

You mean wavishing Kay Fwancis, r One of my favorites, r Watch the video below. Jane: lovely, Elizabeth: stunning, Stack: block of wood. You wouldn't really know, would you, Ava? Winkie Burtress was amazing. I loved all the circus pictures she did. R77, hopefully. Joseph Cotton was a raging homophobe. Quoting Don Bachardy: "We were the only male couple in the whole party — the only two men together. Loved her with Charles Boyer in this film:. He was a gorgeous man. Miss Deanna Durbin had an amazing voice, too.

R well I didn't get laid, but he sure didn't get that Oscar either. Those shrieking voices are torture. Deanna Durbin "shrieking? Yes, stick to rap when you have your dance at your silver high school reunion. Frances Farmer isn't spoken about with the reverence she deserves. But did he skate with Belita, r??? Lovely lady Deanna's first kiss was with heavenly Robert Stack. R ahem Lupe got to play with Gary Cooper's 11 inches cock. She had a unique authority. Very grounded. And that beautiful low voice. Yep, that was our Frances. Solid, stable and down to earth. I mean her body placement.

She was solid. I looked up the definition of "eyefucking" , and I found this John likes what he sees.. Is it me or is George Sanders exactly the same in every. He is. Then he died. Frances, this is her story. Only on Lifetime. And before that you had a big romance with John Payne, so you had a good time too" Jane : " Margaret Sullivan. She was one of the finest actresses of the s and s. Wow Margaret Sullivan really looked like Margaret Sullavan. What was she in?

Swimwear at the time resembled granny panties. Sorry not sorry. Allan Jones - Jeanette MacDonald's best singing co-star and the sexiest. R did you say chest? Give him a fucking posthumous oscar already. She was sometimes paid off, sure, but it was nothing like getting to actually perform the roles. R that's not the whole story. Upon hearing of her death, Margaret Sullavan said "who? Where does Maureen O'Sullavan fit in? Jane Greer. The so called Golden Age is tawdry and brassy. The OP says the original Maureen married "a slime bag". Just how insane, obsessed and slimy was this Catholic slime bag? R, That bitch! Edna Mae Oliver. Eran hussies baratos y les hice la vida un infierno! Well, if we're going with character actresses, you can't beat Aline MacMahon Yeah this is descending into just another - name your favorite actor from the classic era.

More obscure ones please…. Brandon De Wilde. Maria Montez! Turhan Bey! Rochelle Hudson. R I wonder if John let Edmund Gwenn suck him off! Harder, Santa, faster!! The audience has to pay to see two pictures! Jack L Warner was more suited to selling sausages. R We haven't forgotten Judy Holliday. Well, r, Sothern had 10 Maisie films. They weren't grade A, but they were popular. Does Isabel Jewel deserve to be remembered, r? Kay Kendall.. UK born actress who died from leukemia at Kay Kendall could best be described as Then she died. R, I've had a crush on him for years. Van Johnson, Golden Age Queen. The very handsome and gay!

Michael Whalen. Colleen Moore. John Boles, hot hunk with pretty feet. Geraldine Fitzgerald. Pictured here with Bette Davis. Geraldine Fitzgerald was a great actress. Is that a lover's pet name? Boles, that is. I don't understand why Dolores Gray is not a bigger gay icon. She is the incarnation of camp. Ramon Novarro. John in gear. I think she'd rather be remembered for GWTW, r R Dolores Gray did a guest appearance on Dr. Dolores get your gun Miss Alice Faye. All of them. They all deserve to be remembered. Sexy Rexy would have cheated on Lilli anyway.

She was a tough as Marlene. She worked as a taxi-dancer. But I may be wrong on that point. Helen Twelvetrees! Another vote for Joan Blondell. Also, Frederic March. Anna May Wong is so forgotten she will be featured on a quarter sometime in the next 2 years. Bob Hope. Perhaps the biggest star who's dropped from the public consciousness. R I liked her in "Millie" a tawdry melodrama with violence. Nelson Eddy and Jeanette Macdonald. Does Anne Shirley deserve to be remembered? Sheridan hated the Oomph moniker. She said it was the sound a fat man makes when he sits down. Ricardo Cortez starred in the original "Maltese Falcon" too.

If she was Republican it would have to be fumigated, however. Welcome to my home. Kay was best friends with Viv and Betty. Lilli as Sarah. A powerful recruitment tool… if not THE most powerful. R to each his own, what turned me gay as a teenager was this. Colleen in Flaming Youth. George O'brien was so beautiful. Or was it? Rachel Roberts in Doctors' Wives. I can tell that you Americans love being bitchy about Rex.

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